(And no need to limit yourself to the 80s and 90s, just because I did.). Oakenfold produced several DJ mixes in the 1990s. I would of expected Radio One or another operator to pick the station up. Dial Global" from All Access (March 15, 2010), "Emmis And Big Boy Come To Legal Settlement", "Cruz Show Departs Power 106 Mornings For Real 92.3 Afternoons", "Nick Cannon Joins L.A.'s Power 106 as Morning Show Host", "KPWR (Power 106)/Los Angeles Sets Nick Cannon Mornings Lineup", "Nick Cannon To Take Indefinite Leave From Radio Show", "Nick Cannon Returns To Morning-Drive Radio Gig On Power 106 In Los Angeles", "Emmis and WorldBand Media Partner to Launch First-of-Its-Kind Digital Radio Network", http://www.hdradio.com/station_guides/widget.php?id=7, 2011 NAB Marconi Radio Award Winners press release, KPWR's history as KWST at socalradiohistory.com, https://en.wikipedia.org/w/index.php?title=KPWR&oldid=1147840287, Rhythmic contemporary radio stations in the United States, Wikipedia articles with style issues from December 2013, Official website different in Wikidata and Wikipedia, Creative Commons Attribution-ShareAlike License 3.0. Sasha and John Digweed's discography includes the triple CD mix collection that contained many dance hits, original productions, and remixes that they had made themselves. In 1998 Dj EZ released his 4 Track EP by the name "Undercover Kutz." My personal fave is the AOR battle in San Francisco in 1982 when we signed on KFOG to become the fourth rock station in the market with KMEL, KRQR, and KQAK already established ahead of us. Excellent Sean ! brucekellyradio@gmail.com. During fall 1997, KPWR hired a former security guard named Big Boy to replace the duo. Otis Roberts is popularly known as Dj EZ. Track List: 1. I miss ya buddy please get in touch Ladyjoipp@aol.com. In 1993, he released the album "Universe of Love." They include "Sinister (The Influence Remix)," released in 1993, "Your Love Is Yours," and "Dreams Of Heaven," also released in 1993. Upstart Love 94 was in the midst of a take no prisoners war against perenenial powerhouse and market dominant Majic 102. 8) WQUE (Q93) vs. WYLD New Orleans in the late 80s When a Churban station came to town in that era, the heritage Urban FM didnt always recover. Each station boasted mid 2-share ratings. The WHYT/WDFX battle was fun to listen to (for this non-industry type). Popular morning shows included "Welch and Woody" in the 1980s and John Lander and "The Nut Hut" in the early 90s. In between there was WLBSfirst a WBLS clone and then an Urban/Alternative hybrid! 6) Houstons AM Top 40 battle of summer/fall 82 between John Landers KKBQ (79Q) in a six-month sneak preview of what was to come on AM and Clay Gishs short lived but no less interesting KYST. And coming from Dallas, I also have to throw in one of the more obvious rock battles KTXQ vs. KZEW (1978 1985). And wktu became an alternative between bls and kiss sadly wktu went off the air in 1984, never again will nyc have 3 stations that really played the sounds on of streets on it again. Cloudflare Ray ID: 7c0dd12edc443b89 He hosted programs such as the "Essential Mix" and the "Essential Selection." [22], The program became a nationally syndicated morning show on August 20, 2007, after Big Boy signed a multi-year deal with ABC Radio Networks (later Citadel Media, now Westwood One) to syndicate the show, along with his weekend countdown show, which was formerly called "Big Boy's Hip Hop Spot". Urban KMJQ (Majic 102)itself a dynasty at that timeplayed Ride Like the Wind by Christopher Cross. WPLJ went Hot AC shortly thereafter and Z100 might as well have for a year or so. 10 gamechanging '90s electronic music albums that still - MusicRadar WXRK and KLSX (Amp 97.1) Los Angeles have given the format battle new currency after 10 to 15 years of relative dormancy, during which the best way to dismantle a competitor wasnt to out-program or out-promote them, but just to buy them and fire everybody, even if they were winning. The discography of Carl Cox in the 1990s consisted of two audio albums and nine singles. * WBCN Bostons surprise early 80s resurgence against Kickass WCOZ by sacrificing only a little of its eclecticism; His other singles include "Two Paintings and A Drum," released in 1995 byEdel UK Records. * Of course, Z100 v. PLJ twice, mid/late-?80s and spring/summer ?91 during the short-lived Mojo; "The Warning" released in 1997, and "Rainbows Of Colour" / "Jack The Ripper" / "Mysteries of Funk" were released in 1998. Listen to the best DJs and radio presenters in the world for free. * WNBC (The Next One) going after WABC, late 70s-early 80s; If were delving into the 70s heres a few other notable battles: LA: KHJ vs. KRLA (and later KTNQ), San Diego: KDB vs. KCBQ, San Francisco: KFRC vs. KYA, San Antonio: KONO vs. KTSA, Boston: WRKO vs. WMEX, Pittsburgh: 13Q vs. KQV, Miami: WFUN vs WQAM, Canton: Q-10 vs WINW, Buffalo: WYSL vs. WKBW (truly David vs. Goliath), New Haven: WAVZ vs. WNHC, and Seattle: KJR vs. KOL. KGB AND KCBQ Gemtracks houses award-winning melody composers for you to work with. That all changed for me when Barry Mayo (yes, no relation, lol) took over XLO and it became Kiss in 1981. Im a veteran of 3 of the battles you mentioned. It ended with Q100 flipping to a bizzare rythmic CHR format, then Oldies and B104 reigning supreme for almost 20 years, until Country came back to townyuck! There was also a rivalry between WHYT and Z95.5 in about 1984-87 before 99.5 (the former WABX) became The Fox. Sean The last song played on Eagle 106 was "I Will Remember You" by Amy Grant. However, the abrupt switch violated a transmitter lease agreement that KXOL's parent company, Spanish Broadcasting System (SBS), had with Emmis; the agreement required formal notification to Emmis of any change in format and expressly prohibited KXOL from programming to directly compete with KPWR. Shortly after the debut of Latino 96.3, KPWR replaced the majority of their non-Latino DJs with personalities of Latino descent who often pepper their broadcasts with Spanish words, in an effort to regain some of the audience lost to Latino 96.3. Hip Hop News | KPWR-FM Sean, after about the late s[ring of 1981 the battle of wbls and then upstart wxlo 99 took a major turn into wxlos favor, and that was because by the mid spring of 81 barry mayo was able to get shep pettibone to join wxlo on the condition that shep would be gven credit for his mixes and give shep the exposure that frankie crocker didnt give him on wbls, by the late spring of 1981 the mixes heard on wbls like empress dyin to be dancin, all of a sudden shifted to being heard on wxlo, some had the call letters of wbls taken out of them, but the term mastermix. appeared on them, that was a term barry mayo told shep he should use on his mixes, the rest is history, by 1982 wxlo was already changed to kiss fm and by that time the younger nyc youth shifted to kiss forcing niecey colon MD over at wbls to take input from her 14 year old daughter to bring a young man to wbls who was doing late night time leased radio, by the name of mr magic, kiss had already began incorporating hip hop into its playlistbut still throughout the decade of the 80s wbls could not get kiss off its back. Most of my 90s dance music radio mixes were formerly on my SoundCloud channel under the same user name (without quotes) "euretrodance90radiomixes" I will be gradually adding to this MixCloud channel some of my dance music mixes that I recorded during the 80s, 90s early 2000s from various radio stations in the USA, Canada, London, Paris and from . I really wanted to mix on the air. The new KFMK was an unusual mix of CHR and Urban AC. The station stayed on top until September 1991 with the demise of local radio and the very first LMA that was the beginning of the end of local radio. I spent time with family in Phoenix several times during the late 80s- those KZZP, KOY-FM, and KKFR battles were indeed a fun listen. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. In1991, Grooverider made his mark alongside Fabio while playing House at Mendoza's in Brixton. To make a long story short, WMMR moved from 3 share (12+) to an 11 share (again, 12+) leaving the other two stations with crumbs. I can say for the money Id take Bill Tanner or Keith Isley to this day and put them up againist todays top Programmers. Syracuseearly 80s94 Rock vs 95X. This producer/DJ is a freaking BEAST! WMJQ.? That arrangement ended on April 15, 2009, when KMVN flipped to a Spanish format under a LMA with Grupo Radio Centro of Mexico City. Yes, theres no doubt some things have changed but the need for exciting, compelling content hasnt. . Listeners563. And, in the background, a CHR battle between Paul Christys WABX, Mike Josephs WHYT and Pat Holidays CKLWwhich got off six more good months as an AM music station. WPGC vs Q107 llate 70s -early 80s They were pitted against WPGC, a relatively low-key CHR (like most) in the late 70s that stepped up its energy level under one Scott Shannon, matching Q107s unusual night jock Uncle Johnny with a then little-known Don Geronimo. On October 28, 2022, KPWR shifted its playlist to a much gold based playlist, positioning as "Today's Hits and Throwbacks", adding more music from the 1990s and the early 2000s.[15]. "Here Comes The Sunburst Band" was released in 1998, while "Can't Get High Without U" was released in 1999. Great QFM stories at http://www.93qfm.blogspot.com. [16] This would become a major issue in the music trades after the station ascended to the top spot in the Los Angeles Arbitron ratings, where both Billboard and Radio & Records had debated as to what reporting panel it would place KPWR (as well as other stations that were using the same formula), which in turn resulted in Billboard launching a Crossover chart and Radio & Records creating a CHR P1A subcategory in 1987. Norman Cook adopted his stage name Fatboy Slim in 1996 and released the albums "Better Living Through Chemistry" in 1996 and "You've Come a Long Way, Baby" in 1998. You also cant leave out WHTT in Boston in the battle with Kiss 108 and WZOU. The battle raged for almost two years before my team and I flipped KPOP to AOR KRXQ. 272 likes, 1 comments - Mr. The morning show with Scott Spezzano was the best. Engineers in the studio will set you up and guide you through the recording process. 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His singles include "I Want You (Forever)," released in 1991, "Does It Feel Good To You," in 1992, and "The Planet of Love," in 1993. my faves Are you kidding me? If anybody wants to trade, let me know He became popular while working as a radio host for BBC Radio 1. He played House and Garage sets but began to headline in trance parties. "Skin on Skin," "Down to Earth," and "If I Could Fly" was released in 1996. 414 subscribers PowerTools returns to Power 106 after being off air for short period of time in the 90s (circa 1993). In the early 70s it was WMYQ vs WQAM Im sad to report we just lost Steve last week. In Sacramento iin the mid-80s, is was actually a meage e trois between KSFM, KWOD and KPOP KROY threw in the towel and went AC in 1984. Chicago style AOR battle. He was the first award recipient of the 'No 1 DJ in the World' Award by DJ Magazine. Included crushing WGCL, M-105, WLYT and any other station that dared challenge the Buzzard. Rhythmic contemporary hit radio station in Los Angeles, personal reflection, personal essay, or argumentative essay, Learn how and when to remove this template message, "CALL LETTER MEANING Call Letters of Radio Stations and link to full website", "Power 106 Turns 25 Today In Los Angeles", KPWR Power 106 Los Angeles - Jay Thomas - August 1991. You had ABX, RIF, Wheels, W4 and a few others jumped in. It was the fall of 1989 into winter of 1990. At the time of KPWR's launch, it broadcast what it announced as "72,000 Watts of Music PowerLess Talk" (mentioned in on-air station identifications by Chuck Riley and Deborah Rath), a reference to its then-actual effective radiated power (ERP) of 72kW, allowing its signal to be heard in San Diego, Kern, and Santa Barbara counties). That changed when actor, comedian, and radio veteran Jay Thomas took the helm of the show, giving the program its highest-rated numbers during his tenure. My Boo by Ghost Town DJ's & C'mom & Ride It(The Train) Quad City DJs also got a lot of airplay on Power 106 & 92.3 The Beat also in 1995-96. KPWR broadcasts in HD Radio with two subchannels: KPWR launched a Spanish-language HD2 subcarrier channel called "Power Dos" in August 2006. Who remembers Power 96 in the late 80s/90s? (Miami, South Miami: middle

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