Check those out. The only one who's feeding anyone bull{censored} here is you. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. This next one has been around for a while, since before people even started stacking pedals. Learn More. (continue with the douch bag and asshole comments!). JavaScript is disabled. 7 Types Of Overdrive Pedal For Killer Blues Tones Thanks! ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. The list of variables goes on and on. Mooer's Blues Crab should be a solid budget option. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. Mohammad akhter md. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Gives you multiple options. With a little systematic and thoughtful experimentation, you will be able to hone in on new tonal aspects to create inspiring tones. The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. Hey! Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. Privacy Policy. EVH Eddie Van Halen USA $3,298 | Musical Instruments | Los Angeles, CA Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Both pedals have an external tab jack. The trick, though, is to make it work well. Ive always really liked the rat when ever Ive tried it and the price is right. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. There are some other options that are affordable and awesome: the Tumnus by Wampler, the Archer by Rockett Pedals, and the Sacred Cow by Mojo Hand FX. You don't want to get all crazy and wash it out. Fully cleaned and lubed with Deoxit Does not include factory box or power supply Thanks for looking and stay safe out there! I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Klon before or after Timmy? | Telecaster Guitar Forum Congratulations. Item location: Tacoma, Washington, United States. Cookie Notice In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. The Eventide H9 is another option that I actually have on my personal board. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. I mostly play indie, punk, classic rock, pop, blues. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Do the same with the Volume control while adjusting the Gain to different settings. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. The RF is an efficient speaker and leaves very little of your amp's output behind when played. There's a few pedals you could use here. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ). Youll definitely have fun, and you might even find your new favorite sound. You must log in or register to reply here. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. You can turn the middle Nam to the middle and is a total fender I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. The new timmys sound closer to the TIM now. Thats a rule. Noted pedal-design 7 Cool Listings This Month on Gear Exchange. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. There is no formula. Lol. Now you can level-up your rig with Timmy's celebrated transparent overdrive, designed to bring out the expressiveness of your playing, while giving you access to myriad tones and textures via its four control knobs (Bass, Treble, Volume, and Gain) and a Clip switch with three distinct clipping profiles to fit a range of playing styles. My current set up is a fender player series strat (MIM) into a 65 deluxe reverb reissue. Some pedal companies actually sell the set of two boosts. markT. I mostly use the amps in church, at home I'm using an Ac4tv. Actually there are TWO of us saying that they are similar in sound. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. For me, I consider it an always . The last pedal in the stack has the biggest influence on the overall tone. Exclusive deals, delivered straight to your inbox. / , , . The original Klon employed traditional through-hole parts. You just made a DIY overdrive. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. Oops, looks like you forgot something. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. The Caverns by Robert Keely has a modulating reverb setting and a delay. I put the Timmy as the last dirt in my chain, I think the unique EQ makes everything sound better. Obviously, there are endless ways to stack guitar pedals. eBay item number: 304918709122. It may not display this or other websites correctly. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. JavaScript is disabled. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. I've got a Timmy and a Tumnus arriving tomorrow. Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. Electro-Harmonix Big Muff Pi + Colorsound Power Boost NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. Timmy. I typically break that rule every time I combine tremolo and reverb. Mayweather vs guerrero memes. Thanks for sharing your experiences, I just got my copy of the RYRA Klone, excited to find the sweet spot! Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. The possibilities are endless. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. It started through guitar amplifiers. Beautiful. Germany, Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . With even EQ spectrum, based on Bluesbreaker, etc. Is there any better bang for the buck in a new guitar than this. What to stack with a Tumnus deluxe? : r/guitarpedals - Reddit It's awesome for clean tones. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. These are just things that I stumbled into, things that I was inspired to do by artists that I love. The combo works really well in a wide variety of rigs, and the blend of tones results in a delicious stew that is equal parts sweet, thick, richly detailed, and dynamically crunchy (if that makes any sense). When they combine, you hear the quarter note hit the dotted eight, like a rhythmic punch into each other. I'll probably do Katana, TS, Timmy, Klon. JavaScript is disabled. Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? big muff - Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. They're made for each other, like peanut butter and jelly, or grilled cheese and strawberry jam**. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells . After all, its all too easy to throw some pedals into the mix and find that, even with top-shelf effects, your tone becomes bloated, oversaturated and uninspiring. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish You are using an out of date browser. . Have you ever used more than one distortion pedal at a time? Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. Wampler Pedals Plexi-Drive Mini - westownvetclinic.com It sounds like Martian food. For a better experience, please enable JavaScript in your browser before proceeding. But if you do it in a faint way, it's really, really special. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. This is a shredding machine. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. You must log in or register to reply here. thanks for playing! The DOD boost is used by itself for a clean solo sound. This topic is now archived and is closed to further replies. Its just music. I finally understand that the Klon sounds better being goosed itself. Is it a good thing? I use it as a catch-all for a lot of different effects, but it has settings and algorithms in it that let you kind of stack multiple delays, so its really useful. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. Paul Cochrane Timmy v2 Overdrive 2012 used | eBay It has some great stacking possibilities. Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. I stack OD's all the time. 59 . Both of my boards have four OD pedals with a Timmy being the first in the chain. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. Here are a handful of perfect pedal pairs for creative tone stacking. one is all i need. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Designed to replicate the characteristics of a specific amp. fender original tele 50s - Taobao - A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. You are using an out of date browser. Thanks for all the help. Please check the fields highlighted in red. These are great for making a lead stand out or tightening up a chunky rhythm sound. Although I'd admit I owned the TIM (not the Timmy). To be heard. This way, the drives will not conflict with one another. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. Before I wrap up, I want to show you a few more options for pedals that have some of these multiple effects already in them, kind of a two-in-one thing. You take the octave pedal, and you put it before a big fuzz pedal. You no longer have to worry about batteries cutting you off in the middle of your . So what do you guys think? Despite its size, it's pretty damn versatile, thanks to three clipping options. So to fix that problem, you need to add a Tube Screamer. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. Yamaha Revstar RS502 Seymour Duncan P90s, Gotoh Hardward - musical Original models of the Klon have now become some of the most sought after guitar pedals ever made. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! does anyone own both a klon and a timmy? - Harmony Central This is a really good go-to combo. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. Guys like the Edge and U2 have done stuff like this for years. Currently, after watching and reading a lot about Klon (e)s on fora . This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. some people like to stack them though. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. Listen to the EQ differences in the two sounds. Stack amazingly well but dont neatly fit any of the previous categories. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. Hi thanks for your replies. But you have people-- even me --telling you to put your tremolo after your overdrive and before your delays and reverbs. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. 144,000 . I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. As you can see (or more importantly, HEAR), stacking drive pedals is a great way to expand your tonal potential. Being music makers ourselves, we love geeking out on all things gear. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. JavaScript is disabled. Are you using one to drive the other? I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. I vote used dod 250. If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. Electric Guitar. For a better experience, please enable JavaScript in your browser before proceeding. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. Now this is big. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). More volume and it will produce more gain and different reactions from the other od's. Reactions: snarf. It's really, really fantastic. Works great. The place for all things related to guitar pedals. When I stack, I don't like to stack the same pedal- too much of the same frequencies. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? Amwatts 1x12 Celestion Gold. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. He is also the first-call session guitarist for Sweetwater Studios. Review round-up: Klone pedals | MusicRadar You can turn off the overdrive and turn on your Marshall-in-a-box for instant Mick Ronson. OD pedal to pair with Timmy. It does a lot of crazy stuff, but I'm going to just set it as a big ambient wash. Then I'm going to take one of my Kodiak tremolos, and I'm just going to let it pulse and trim the decay of the reverb and the clean signal. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. Terry B Humble student of the blues . What I'm going to show you today are some stacking combos that I personally have used for a long time. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Mimic, HSH to SSS and SSH (board little Mind). You must log in or register to reply here. Someone needs to reverse engineer that bad boy. Price to sell look it up Reverb this one is really in mint condition kill switch and all. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Does the character of the pedal change? I use a JHS Morning Glory V4 but you've got options. TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. However, the concept can work with a dirty amp too. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Strat Talk is the leading online community and marketplace for Stratocaster guitars. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. There is a clear top-end chime and warmth in the midrange. A lot of you guys might not realize that some overdrive circuits are simply gain stages cascading into each other. Some people use a Tube Screamer. MXR also makes the Sub Machine and the MXR Blue Box, so you have plenty of options here. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. TC Electronic Spark Booster (has Gain option). Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. Youve got to keep the modulation and the effect level of this kind of low. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. For our purposes, you need to know, for example, that some drive pedals work better with some amplifiers than others. You have all kinds of builders doing that nowadays. Are there more or less mids? A Sweetwater Sales Engineer will get back to you shortly. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. As you can see, just a few pedals can cover a ton of ground. Ray20July 16, 2006 in Effects and Processors, I was told buy someone who has both that the timmy sounds just like the klon, but has more versatile tone controls. Do your homework before buying. It's the one that really frustrates your neighbors and makes everyone in your house hate you. It's really an addictive sound, and the tactile responsiveness is very satisfying as well. Timmy for dirt and Klon for clean boost? Overdrive/distortion that stacks well with Timmy? | Z-Talk So, Big Muff into a Tube Screamer. 1995-2022 Harmony Central, Inc. All rights reserved. You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. Set the Gain control at 9:00 or 10:00, lower if the pedal still responds properly. Definitely try that in your rig. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? Now, here's the trick. Personally, I would go Katana, TS, Timmy, Klon. Luxe bidet neo 120. Trust me. The Quiet Theory Prelude is also a great pedal, since it has both settings. Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. All drive pedals have an inherent sound and EQ curve. You let one run quarter notes, and the one after it runs dotted eighth notes. Good Luck! It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. Basically, you take two delay pedals and you sync them together. Sts 114 team award criteria. Fuzz stacked into an overdrive pedal? Plus you can add in the tremolo. . Each new drive will shape the EQ and most drives also increase compression. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Klon vs. timmy. A boost will also typically color the tone less than an overdrive, IME. Stacking "Klone" - Telecaster Guitar Forum Shipping and handling. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats.

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